His bliss of being high, hammered and freshly fucked, he’d rather shoot the lock than use the key. “A character in a Bob Dylan song dancing through life’s pleasure and pain knowing every interaction is another ‘note’ in the tune of his life. A folk poet,” McConaughey explained in an email to GQ. And now Korine has reemerged with the upcoming film The Beach Bum, a Technicolor tone poem set in and around Miami that stars Matthew McConaughey as Moondog, a freewheeling artist who produces work only when he feels it’s absolutely necessary. Spring Breakers introduced Korine’s manic, surface-level sensibility to a whole new generation of cinema enthusiasts, and to this day incites both cogent cultural criticism and fascinating, personal-essayistic responses. Subscribe to Observer’s Entertainment Newsletter You know, tales about that time he joined a tribe in Panama called The Malingerers or about how he wrote Kids because he’d “just wanted to make a sequel to Caddyshack.” But Korine takes this a step farther, cheerfully obfuscating his past and electing to spin an elaborate yarn rather than offer up the dull truth.Ī new GQ profile of Korine written by Zach Baron begins with an abridged laundry list of the maybe-tall tales he’s told the media while promoting his work, which includes his 1995 landmark teen saga Kids (1995), Gummo (1997), Julien Donkey-Boy (1999) and the uncontested 2012 masterpiece Spring Breakers. Auteurs are known for their evasiveness-for the way they tend to skitter when the world starts paying rapt attention to them for the things they’ve always wanted attention for. If you’re a longtime follower of his wide-ranging career, you know he’s been doing his shtick for years. The juicy neon details in his films (and personal stories) are silly but still manage to take your breath away-you’re never sure just how much he’s bullshitting you. Jemal Countess/Getty ImagesĮven among notoriously hard-to-pin-down directors, Harmony Korine is unique. Harmony Korine is back with The Beach Bum.
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